In last month’s blog, I shared two reasons for revisiting my photographs from 2007 to 2016, when I first photographed American Revolution reenactments.

The first reason: I recently attended the Battle of Guilford Courthouse in Greensboro, NC for the first time in 15 years. It powerfully reminded me how quickly time passes. Reviewing images from that era, I was surprised by how many photographs I had forgotten moments and scenes that felt new again.

The second reason involves my friend Harry Schenawolf, founder of the American Revolution Journal. Harry writes extensively about the American Revolution and often uses my photographs in his articles. He has an uncanny knack for rediscovering images I’ve long forgotten, prompting me to revisit my archive more often.

One of the highlights of photographing American Revolution reenactments has been attending Patriots’ Day in Boston, celebrated in New England on April 19th—the same day as the Boston Marathon. When I attended, the festivities spanned two days and featured three major reenactments. The day began very early, around 5:00 a.m., with the first shots on the Lexington Green, followed later by the Battle of the North Bridge in Concord, MA. This photograph was taken along Battle Road, capturing the moment when British forces were defeated and began their retreat back toward Boston.

I enjoy creating blurry and out-of-focus images. For me, the suggestion of movement—and even a touch of dizziness—keeps my attention. I feel mesmerized as my eyes zigzag across the photograph, never quite settling.

These two photographs are similar, both depicting British troops marching. What’s funny is that they were taken in the same year, in 2009, yet both events no longer exist. One image comes from the Raid on Wyoming, the other from the Rock Ford encampment. In that way, the photographs are a reminder of a time gone by.

I wish I could recall my precise technique for creating these images. Perhaps I used a gentle pan as the troops passed, letting motion blur override sharpness. What fascinates me most is that you only fully grasp what you’ve captured in post-processing.

This simple photograph resonated with me and others. I captured it at the Battle of Monmouth reenactment in 2014, and it appeared in the February 2015 issue of Early American Life magazine. Do you remember acquiring that favorite magazine on your favorite topics and slowly leafing through each page, not wanting to miss anything?

The scene is simple: it shows two dragoons (cavalry) loading their muskets. The deep greens and reds of their uniforms contrast with the muted green background, creating a striking visual harmony. These colors make the photograph memorable.

The post-processing was done in On1 software, and I used this border, which provides  a soft, natural, and earthy feel and adds to the nostalgic feeling. In the software update,sometime in 2016, this border style was eliminated. Unfortunately, a later software update eliminated this border style—making this image a small reminder of a creative tool that no longer exists

At any Battle of Trenton reenactment, I always hope for snow because it enhances the realism in my photos, mirroring the wintry conditions Washington’s troops faced during the 1776 Christmas campaign. This Battle of Trenton 2012 photograph captures a key moment: amid the chaos of December 26, Hessian commander Colonel Johann Rall was mortally wounded as he tried to rally his troops against the advancing Continental Army. It even looked like a blizzard was happening! I don’t recall if Rall’s death had been depicted before or since.

The last time I photographed Trenton in falling snow was 2017. Despite the harsh drive home, I seek out these conditions each year for their authentic atmosphere and striking photos, which reinforce my wish for snow.

At every special event, Fort Mifflin flies a large U.S. garrison flag—about 20 by 38 feet—which towers over the fort and is visible for miles, continuing a powerful military tradition. The annual event each October, conveniently near my home, is one I attend almost every year. Over time, I’ve accumulated nearly a hundred images of this flag. This photo is from 2009.

With each visit, I challenge myself to photograph the flag from a new angle, at a different time of day, or from a fresh perspective. The moat around the main entrance provided just such an opportunity. Walking the grounds, I saw the flag’s reflection shimmering in the water, contrasting quietly with its imposing presence above. The resulting abstract photo blends blurred shapes and muted tones, creating quiet mystery. Light and shadow encourage viewers to interpret emotion instead of objects. 

A week ago, I finally had my left knee replaced. I’ve dealt with knee issues since high school, and my doctor always said that when the pain and discomfort begin to affect your quality of life, it’s time to do something about it. Well, it was time.

Facing surgery, I initially wondered if doing both knees at once made sense. Thankfully, my doctor steered me away from that idea. The surgery went very well, and while the recovery has definitely been painful, I’m seeing improvements every day. Reflecting on this experience, I was reminded of The Who’s song line from My Generation-"Hope I die before I get old"—for me, it’s just about new parts. There’s more to share about this journey ahead.

I’ll be missing a few upcoming events, but not too many. With continued progress, I should be relatively active again within the next two months.

Thank you for reading! Blog #110 will be posted on May 15, 2026. Be safe & well!

Huzzah,

Ken Bohrer